Li LiMin

Born in Leling, Shandong Province in 1973, Li Limin is also known by the pen names Liweng, Miaoyin Jushi, and Shuanglong Shanfang Zhuren. He excels in poetry, calligraphy, and painting. His calligraphy was studied under Liu Zidu and Qi Gong, with a particular focus on seal script and clerical script. He incorporates the brushstrokes of running script and cursive script into his seal script and clerical script, drawing upon the spirit and charm of seal carving by Changshuo and Qi Baishi, creating a unique style that is both ancient and varied, brimming with vitality. His eight-foot and sixteen-foot scrolls are often masterpieces that will never be replicated. His small regular script is elegant and refined, exuding a scholarly air. In recent years, in addition to his calligraphy, he has also dabbled in painting, creating works depicting Buddhist figures, flowers, birds, insects, fish, and landscapes. Whenever the mood strikes, he produces heartfelt pieces that are praised and eagerly collected by the public.

Currently a member of the China Calligraphers Association, the China Artists Association, and the China International Collectors Association.

Member of the Chinese Classical Studies Research Association, Deputy Secretary-General of the Research Institute of the China International Academy of Painting and Calligraphy, Researcher of the Oriental Art Research Institute

Member of Shandong Provincial Calligraphy and Painting Association, Art Director of "Humanities Times" magazine, and President of Qilu Contemporary Calligraphy and Painting Academy.

His calligraphy and painting works have frequently participated in national exhibitions and won numerous awards. Many of his works have been collected by artists in Singapore, Taiwan, Japan, and Hong Kong.

His works are collected by friends and acquaintances in Hong Kong, the United States, South Korea, Australia, and other countries and regions. He has published two collections of calligraphy and painting works: *Autumn Water Without Trace* (China Culture Press) and *Eternal Dust* (Yunnan People's Publishing House). In recent years, he has published dozens of personal and joint collections of calligraphy and painting, and his art has been featured and published in numerous media outlets both within and outside the province.